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At a press conference (below) this “new style” 360-12 was hand-delivered from that city’s B-Sharp Music. Radio station WDGY finally got its chance to give Harrison a guitar on 21 August 1965, when the Beatles came to Minneapolis. Harrison picked this up for $400 in September ’63 at Fenton’s Music Store in Mount Vernon, Illinois, during a two-week trip with his brother Peter to visit their sister Louise, who was living a few miles away in Benton. One of the first specialty items added to Harrison’s collection this Spanish nylon-string guitar was miked and used for his delicate lead work on “Til There Was You” and “And I Love Her.” This mid-priced model features an extended fingerboard on the first three strings.
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It’s first spotted at the ’63 Christmas shows, later at Carnegie Hall, and used on the For Sale sessions and for tours, concerts and TV appearances well into ’65 - most notably in the opening sequence of the film “Help!” and at the triumphant first Shea Stadium concert that August Harrison found the perfect country-rock twang he’d been looking for when he got this double-pickup, single-cutaway “Type 2” model - with painted-on f-holes - late in the year, and before long it edged out the second Gent as his go-to guitar. tours, this was the guitar for the Beatles’ first flush of worldwide success. Seen on the Sullivan shows and used on the ’64 and ’65 U.S. In November, Harrison picked up another Gent at Sound City, identical to his first except for the mutes, which were flip-up rather than dial-up, and Harrison came to prefer it. It shows up in photos from shows at the Grafton Rooms, Liverpool, on 12 June and the Winter Gardens, Margate, in early July.ġ963: 1963 Gretsch 6122 Country Gentleman 1963: Maton Mastersound MS-500īefore Harrison’s first Gent went into the Sound City shop, it needed repairs during a May visit to Manchester, where he borrowed this Australian solidbody from Barratt’s of Manchester and used it for a few performances. In May Harrison upgraded to this more deluxe Gretsch he found at Sound City London, and after removing the mutes - and later the bass-side screw-up knob - used it extensively for touring and recording (first on “She Loves You” and then With The Beatles).
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It’s seen in photos from a Cavern Club rehearsal, but precious little after that.
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Harrison probably borrowed this guitar - essentially another version of the Duo Jet - and used it briefly early in the year. (In photo at left, assistant manager James Rushworth poses with the lads.) Harrison bought an electrified “jumbo” acoustic on 10 September 1962, the same day Lennon bought one, at Rushworth and Dreaper’s Music in Liverpool.
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1958 : When Harrison went to Hessy’s Music in Liverpool on 20 November looking for a new guitar, he was thinking “Stratocaster,” but the closest Frank Hessy could come was this sleek three-pickup Futurama (originally called a Grazioso Resonet, manufactured by the Delicia company in Czechoslovakia, and renamed by Selmer, who imported them into the U.K.).ġ957 Gretsch 6128 Duo Jet semi-solid mahogany body, black finish, silver pickguard: Harrison found this one through a member of a band called the Delacardoes, who got a tip from a taxi driver 1962: 1962 Gibson J-160E: Resonet Futurama solidbody electric, red sunburst, vintage c. Hofner Club 40 model 244 (vintage unknown): “A little Hofner that looked like a solid guitar but was actually hollow inside, with no soundholes,” as Harrison described it. Hofner President f-hole acoustic (vintage unknown): In a quantum leap from his first instrument, and with a little help from Mum, Harrison purchased this handsome Hofner, a top-of-the-line, single-cutaway “cello style” model with a sunburst finish and a “Compensator” tailpiece, for £30 1959: Hofner Club 40 George Harrison bought this “Beginner’s Guitar,” made in Holland by Egmond and distributed by Rosetti, from a schoolmate with £3 he’d gotten from Mum